I don't know if that's new, but it has become very official over the past 25 or 30 years - and today it's probably at its most extreme point, where sometimes collections look more like a stylist's work than a designer's signature.

I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.

What I find most interesting in fashion is that it has to reflect our time. You have to witness your own moment.

It's true that fashion is looking at fashion all the time, and this is quite boring.

As designers, we do so much with material and construction. It's really architectural; it comes close to building. A scent is so immaterial. It's really about emotion and sensation. Clothes are too, but it's not the same.

I love what I do and I adore this whole world. I'm able to meet fantastic people. I meet fantastic writers, I meet architects, I meet incredible talent. Fashion is really a world, besides the creation, that I think is super interesting, super inspiring.

It's quite strange in fashion, and it's probably the same with movies and acting - the big choice is between being radical, making a choice that will be more specific that will reach less people but will be very strong and very directional, and making a choice that will be more popular and catch the interest of a large group of people. Sometimes people are trying to push you in one direction or another.