With Neptune City, I could have been singing about anybody's life that grew up where I did. The town I live in it isn't that magical, but when you're growing up, you think that everything is so important.

It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.

A lot of love records or breakup records, a lot of the songs can tend to be on the blame side and the bitter side. And this was good for me, writing, because it made me feel like I was forcing myself to be more mature and grow up a little bit. It's not putting the blame on anybody, it's accepting responsibility just as much as the other person.

With Neptune City, I could have been singing about anybody's life that grew up where I did. The town I live in it isn't that magical, but when you're growing up, you think that everything is so important.

Even with Neptune City, I feel like if you strip down all the arrangements, I feel like each of my songs is always going to be, at its core, either a country song or a blues song.

Those situations were just taking over my entire life. It was fun to write in a way, because it helped me take a really bad situation and a really sad situation and make beautiful songs out of them. When I got half of the song written it was like, "Oh, this is great." It was like the one thing that was making me happy again.

When you are going through something that heavy, for me anyway, I couldn't imagine writing about anything else. I always tend to write about what's most prevalent in my mind.