My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!

I was kind of a bully, even though I'm tiny, 5' 2". As a child, I'd boss other kids around and dress my little brother up, just putting on shows, singing and dressing up.

There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, too.

Everything about us black people is complicated, us being here, being a minority, being a woman, all those things are complicated.

When I was younger, my father was in the Foreign Service and we lived in Nigeria, Panama, and London, but for the most part I grew up in the South and D.C. I got the travel bug as a little person and I've bounced around a lot.

I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.

I've been fortunate to work with Alfre Woodard and Jeffrey Wright; people who are artists, have careers, longevity and full lives. That looks good to me.