My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!

I've been fortunate to work with Alfre Woodard and Jeffrey Wright; people who are artists, have careers, longevity and full lives. That looks good to me.

I went to Juilliard in New York and used to do cabarets just for fun. Occasionally, I would get together with a jazz musician and play at a restaurant for cash. And I've done some background vocals for recording artists.

I was the jokester, the one who made the family laugh.

There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, too.

I was kind of a bully, even though I'm tiny, 5' 2". As a child, I'd boss other kids around and dress my little brother up, just putting on shows, singing and dressing up.

Stone Mountain, Georgia, still had Ku Klux Klan marches, and I had a wild and courageous mother who'd put us in the car to watch them. She wanted us to know those things existed.