It seemed like there were so many options in filmmaking before. If they don't want to make it, well okay, there's a hundred other places we can try. I'm not a producer and I don't even know the places my producer goes to, thankfully. But I think there are far fewer options now to releasing a movie theatrically or to getting the financing.

I always had good friends, but I did not feel like a cool girl, ever.

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.

I definitely feel like a native New Yorker. My personality was formed there.

But then male directors also have a hard time getting their movies made... not as hard as women but it's a tough time for any movie this size. And that particular movie [The Hurt Locker] was so specific. It couldn't hurt, of course, and I'm really glad for her, but I don't know how much it will change things, if at all. The film industry is still so sexist.

I know I repeat myself in all my movies, but I just let it go, let it happen. Clearly, I'm not finished with that issue. But they seem to me like completely different movies. They're definitely coming from me.

I think having a good life prompts it... anybody who has a good life and looks around them sees the enormous disparity that exists in the world between those people who do and those that don't. I can't say we walk about our guilt a lot, though. If we do, it probably comes out in the form of self-loathing jokes. But it's a tough thing to wrap your head around... the have's and have not's in the world.