Yeah, people seem to really relate to it and feel moved by it. It's been the most positively received of all my movies so far. I don't know why. I like it just as much as I like my others, but people think this one is the best or the most interesting. I'll take it, though. I wouldn't want them to be saying my films are getting worse.

What are we taking from people and what do we give is a life-long struggle, I think, for most of us. Who are we? Do we like who we are? Do we know who we are? Do we care? Does anyone care? That's such a big topic. I could tackle that in many movies. So could other people.

Filming is a funny combination of having a good time and not being able to wait until its over.

Marriages are so complicated that no one person is the culprit. But, I am really interested in class without really realizing that I am. It's more the manifestations of different classes that interest me.

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.

The stories that I want to tell are completely, well somewhat autobiographical. It's completely based on my own self-absorption issues and problems.

I definitely feel like a native New Yorker. My personality was formed there.