In particular, for my character, Celeste [in Big Little Lies], there was a way in which we wanted to present her, because she has sort of barriers that she has to put up for protection because of things that are going on in her life. Yet she wants to be, I suppose, very presentable but neutral.

For me, my storyline [in Big Little Lies] is very complicated and nuanced. [The script] was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.

I still feel vibrant and alive that way. I'm in a marriage where we put an enormous amount into our marriage. I always say, there's me, there's my husband, and then there's the "us," the us that we create. That's what we really take care of. We never, ever take it for granted. We do everything we can to be together, not to be separated for periods of time. We're just a very, very tight family unit, and we're really kind to each other. I think it's so underrated; people don't appreciate the necessity of that in society now.

I'm a person that carries everything that happened to me in my past, with me into the future. I refuse to let it make me bitter. I still completely believe in love and I remain open to anything that will happen to me.

I think you put art out into the world, and sometimes it's divisive, sometimes it's embraced. Sometimes people cry, laugh or have complicated reactions.

As a child, my whole life was books. They were my fantasy. That's where I could go. That was a lot of times [what] saved me.

Forget the past. You can never predict what the future is going to be. Live for the moment.