I would describe myself as emotional and highly strung. If something upsets me, it really upsets me. If something makes me angry, I get really angry. But it's all very upfront. I can't hide it. I'm also loyal and I hope I'm fun.

I want to be tested beyond my comfort zone. I don't want to be safe if it is more interesting to be dangerous.

I look at everything I’ve done critically - but I think that’s the job of an actor. If you ever sit on your laurels or think that you’re good - in a way, I don’t then think you’re pushing yourself.

If I ever feel that this is dangerous or I'm scared of it, then that probably draws me more towards it.

I auditioned for the role of an angel in the Nativity play at school. I didn't get it. I auditioned for Mary; didn't get it. So I made up the character of the sheep who sat next to Baby Jesus.

We worked with Jean-Marc [Vallée] [on Big Little Lies] in terms of finding [style]. Because when you have five women, you're trying to find how they each dress and how they present themselves to the world.

For me, my storyline [in Big Little Lies] is very complicated and nuanced. [The script] was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.