I think you put art out into the world, and sometimes it's divisive, sometimes it's embraced. Sometimes people cry, laugh or have complicated reactions.

I'm not sure what the future holds but I do know that I'm going to be positive.

I have a little bit of a belly, a tiny bit of pooch. It's the one thing I don't want to lose. I just like having some softness. If I lose that, then Tom might leave me.

It's the desire to study the human condition, the desire for collaboration, to learn and absorb, and to lead a well-examined life.

I always try to push through fear. I won't be crippled by it. People say, "Oh you take such risks", or "You're brave." And I'm like, 'Well, if you knew - inside I'm really frightened!' But the way people navigate fear and pain is fascinating... The more you feel, the stronger the pain. And the more you engage in life, the more you have to lose.

If you're intuitive and you have a desire for people to be happy and you want equilibrium and you want life to be good, then you'll worry. But we need to embrace the idea that, "No, I'm putting that aside, over there, in a box. I'll open that box when I wake up in the morning and deal with it then." I really find that men tend to do that, and it's great to be able to do.

We worked with Jean-Marc [Vallée] [on Big Little Lies] in terms of finding [style]. Because when you have five women, you're trying to find how they each dress and how they present themselves to the world.