Bruno, my old faithful. I haven't sufficiently described him. Is it enough to say he is indescribable? No. Better to try and fail than not to try at all.

For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it.

Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.

No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.

Franz Kafka is dead. He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me."

When will you learn that there isn't a word for everything?

I left the library. Crossing the street, I was hit head-on by a brutal loneliness. I felt dark and hollow. Abandoned, unnoticed, forgotten, I stood on the sidewalk, a nothing, a gatherer of dust. People hurried past me. and everyone who walked by was happier than I. I felt the old envy. I would have given anything to be one of them.