Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.

. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.

Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.

I’ve always liked the feeling of traveling light; there is something in me that wants to feel I could leave wherever I am, at any time, without any effort. The idea of being weighed down made me uneasy, as if I lived on the surface of a frozen lake and each new trapping of domestic life - a pot, a chair, a lamp - threatened to be the thing that sent me through the ice.

A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.

I opened my mouth, but nothing came out. It took seven languages to make me; it would be nice if I could have spoken just one.

To hike out alone in the desert; to sleep on the valley floor on a night with no moon, in the pitch black, just listening to the boom of silence: you can't imagine what that's like.