I have always written about characters who fall somewhere in the spectrum between solitary and totally alienated.

And it's like some tiny nothing that sets off a natural disaster halfway across the world, only this was the opposite of disaster, how by accident she saved me with that thoughtless act of grace, and she never knew, and how that, too, is the part of the history of love.

the shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed, or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.

The idea that we've outgrown ends up limiting us and we have to make a choice about what we're going to do in our lives.

It is impossible to distrust one's writing without awakening a deeper distrust in oneself.

. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.

The rhyme always knows better than you, and leads you to places where you wouldn't otherwise have gotten to and that is absolutely the case. Leading off from formal poetry, there is something about when you pay attention to form and you allow it to have its own laws and you listen to those laws you really do end up in places you wouldn't otherwise go. Which isn't to say that I believe in following the rules when I write. I don't. Each of the forms in my books feels to me new.