There are things that inform the works, but that doesn't go anywhere near what you're actually looking at.

I felt like I had reached the end of a period of life, where the work was jumping about and pushing something new every time. I wanted to dial it back and create a language that was stable and deep.

Using painting as a metaphor for consciousness is what I'm interested in.

I'm a quiet person, I'm not a flashy art world person. I'm in the studio in the middle of nowhere. There's sheep and fields. The work has to be authentic in that way.

The paintings are kind of set in the past, present, and future all at once.

The moment is never perfect. It's like that right now - in my head I'm being super lucid, but you never are. You're always fumbling.

There are things that inform the works, but that doesn't go anywhere near what you're actually looking at.