Menuhin was playing Bach on a fantastic spiritual level when he was a teenager.

I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so its difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.

If you're playing within your capability, what's the point? If you're not pushing your own technique to its own limits with the risk that it might just crumble at any moment, then you're not really doing your job.

I see it as my job to try to keep Bach in the mainstream and present his music with, rather than without, its emotional core.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

If you do the same thing every night, that's the death of music.

Bach was a top harmonist geezer, which is why the jazz cats love him.