You get to Hollywood and you are in the land of big money where they don't like to see only one screenwriter's name. It's much better if you've got four or five.
I don't judge other people's work and I don't see enough of it either.
What can there be concerning outer space but ignorance?
All stories should have some honesty and truth in them, otherwise you're just playing about.
People who believe in flying saucers are the scrapings from the bottom.
The trick is the paradox - turning your story inside out. Now if it is something that appears to be of total normality and then suddenly turns inside out and is a different thing all together then that's fun to write.