I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day.

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.

We remind ourselves that it's a hobby [The Esemblist]; nobody is setting these deadlines for us, except us.

We're just trying to restore equilibrium to the Universe, that's all.

We haven't truly had a zeitgeisty, 'songs on the radio' show, since...I want to say "One Night in Bangkok" was the last musical theatre song that charted. That was so long ago.

If things come up, we can say, "We're not ready for this, let's move some things around."

Time's going to pass anyway, so it's prioritizing what to do with that.