It feels like my job is to support people. I support great artists. When I worked with a symphony, I sat in the third chair, not the first chair.

I think the hardest thing to overcome is judging yourself and being your own worst critic so to speak.

The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.

Trust me, the only real way to understand 'Chic' is in highfalutin terms. Our chord progressions were based on European modal melodies. I made those early 'Chic' records to impress my jazz friends.

My concept is, until you absolutely know the plane is crashing, there's no reason to be afraid. All the turbulence in the world does not mean the plane is crashing. Once it's confirmed, then you can be afraid.

Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.

If something is worth doing, it's worth overdoing.