What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
Nils FrahmI get bored with things easily. I always have to change something to keep myself excited. When I feel like I did a really good classical and acoustic album, the next thing I want to do is the opposite. And then I want to do the opposite of that. When I work alone after that, I feel like I should work with a lot of people. When I work with a lot of people after that, I feel that I should work alone.
Nils FrahmI feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.
Nils FrahmWhen I make a fool out of myself or when I don't take myself seriously, I'm in a comfortable spot where I don't need to be reasonable. There's no reason to be reasonable. This is what I want to do and where I have full control. I determine what I want to do.
Nils FrahmThe music works by itself, but you can change the perception of it by the way you dress, the way you move, the things you say, the things you don't say. And when you realize that everything is staged, then nothing is staged. There's a kind of liberation to that.
Nils Frahm