I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.

I was into opera as a kid - I'd play 'Carmen' and sing and dance. My mom signed me up for a theater group before preschool, and I never looked back.

I had a year at 3 when I wanted to be a conductor in the opera.

If you love job, then you have to know how to let it go. If you have a bad audition, I think you're allowed 30 minutes of pain, maybe a day if it's really that bad. But to allow a whole week? No. That would be contradictory to the process, I think.

Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.

I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.

It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.