I had a year at 3 when I wanted to be a conductor in the opera.

I had a year at 3 when I wanted to be a conductor in the opera.

If you love job, then you have to know how to let it go. If you have a bad audition, I think you're allowed 30 minutes of pain, maybe a day if it's really that bad. But to allow a whole week? No. That would be contradictory to the process, I think.

I think if you want to get to know me, you should come and see a show. A person might get to see more sides of me.

I try not to put my purse on the floor - demons will get into it.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

I get emotionally involved with things I should not be.