And then you have the classical ballerinas, they're like sopranos. Applied to the dance.
Nearly everything in life goes in threes and fours.
Diaghilev was the first to notice good character dancers and that sort of thing.
The smile is the dance of the face - the dance is the smile of the limbs.
We are developing the other parts, and we can't give quite all our attention to the upper part, but soon the lower parts will be developed, and the upper part and the lower part will become partners, that will be wonderful.
Also, if you have an accident, you can't start to dance again at the top, you're too weak; you start with the easy things - the way you did them when you were young, and come up up up, the way you did then.