An artist always know everything he does, you know what I'm saying, all the record he starts and don't end up in the public and just sit on the harddrive.

My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.

I'm more focused on giving solutions and inspiration more than anything.

It's my opinion that, if Barack did want to solve the gang problem, number one would be to work with people from the inside out, people who can actually give him an accurate analysis of the problem in L.A., because they're in it or at one point were a part of it, and now they're workin' to change it, and redirect the energy and the focus of it. And then consciously take steps to solve the problem. But I don't feel like zero tolerance, strict laws, locking everybody up is a viable means to stop that problem.

A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.

As gang members, as young dudes in the streets, especially in L.A., we're the effect of a situation. We didn't wake up and create our own mindstate and our environment; we adapted our survival instincts.

I was never ignorant, as far as being experienced in classrooms and learning about different subjects and actually soaking it up.