I think all my movies are about transitions to some degree.
I think I've always been drawn to the notion of talk as cinematic.
A lot of black-and-white films generally have a color version that will be used for TV.
I read all the time. Sometimes I get asked if I've thought about writing a novel.
How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
Wes Anderson's films, 6-year-olds are crazy about them.