A film set becomes its own family anyway, and all family dynamics come out during a shoot. The trick is hiring people who know how to handle that.

I'm interested in music as an extension of character.

I live in Manhattan now, because, in a way, it was my fantasy.

We expect forty-year-olds to have grown up at some point, and to be engaged and adult and take responsibility, and doing nothing would seem to go against that.

There are days when you're in a good groove and the actor really understands the part and comes as prepared every day as you are and is so inside it. And then there's the day where, for whatever reason, it's just a harder slog. And I feel like those are the days where all the preparation and everything becomes more necessary because you have to find a third route there.

A film set becomes its own family anyway, and all family dynamics come out during a shoot. The trick is hiring people who know how to handle that.

I think all my movies are about transitions to some degree.