I love black-and-white movies that are about contemporary subjects.

Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.

I read all the time. Sometimes I get asked if I've thought about writing a novel.

I thought at the time of my parents' divorce that I was upset by deeper, more profound things and I was just taking it out on the joint custody agreement. But that disruption was bad enough. That was a huge deal for a teenager.

I like having associations with locations beyond their meaning for the specific movie.

I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because unfortunately people on the street don't know not to look in the camera or interact with the actors.

I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.