In a book you can really talk about ideas and themes and characters in a deeper way than you can even on the screen.

I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.

In the TV business, you've got to write fast, and someone will tell you, "Can you rewrite this episode before... 6 p.m.?" So that's when you rewrite it. You can't wait for the muse to show up.

It's amazing how flexible the human mind is in terms of jumping into a backstory or an aside. Vonnegut is a great example - it's not a linear story by any means, but somehow your brain is keeping it moving in one direction even though the story is taking you in all these different directions.

It's good to be unexpected with it.

I'm thirty-six years old and I've been married once and he left and I don't want to feel this way anymore. Like I can't be vulnerable. Can't relax. It's exhausting, always being on the defensive, keeping my guard up. I feel like Cuba.

There's still nothing like a book to really make you feel like you've disappeared into a world.