American decline is real, though the apocalyptic vision reflects the familiar ruling class perception that anything short of total control amounts to total disaster.

The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.

Every single one cabinet appointment: education, environment, labor - every single one is selected to undermine any aspect of government that's of any help to people, and that doesn't benefit the super-rich. And it's absolutely systematic. The interesting question will be how long Donald Trump's constituency can fall for the con game.

I had relatives in New York City who I stayed with. And in those days, the area from Union Square down Fourth Avenue had small bookstores, many of which were run by Spanish immigrants who'd fled after [Francisco] Franco's victory. I spent time in them, and also in the offices of Freie Arbeiter Stimme (Free Worker's Voice) with anarchists. I picked up a lot of material and talked to people, and it became a major influence.

As in the past, the costs and risks of the coming phases of the industrial economy were to be socialized, with eventual profits privatized.

We should not be speaking to, but with. That is second nature to any good teacher.

It's easy to put [serious threats] aside, and the media don't talk about them. Other things are more important. How am I going to put food on the table tomorrow? That's what I've got to worry about, and so on. It's very serious, but it's hard to bring out the enormity of these issues, when they do not have the dramatic character of something you can show in the movies, with a nuclear weapons falling and everything disappears.