I really loved Michelangelo. I've always been a little partial to Donatello to be honest, especially with the animated series. There's just something about Donnie that I really like. But, you know, Mikey's also Mikey. It's kind of just a given he's the most fun one.

You can curl up in the fetal position and try to wish away all the things that need doing, or you can get started on that uphill battle to reclaim your life. The difficulty isn’t what choice to make, because that part is obvious. The difficulty lies in finding the energy and inspiration to make the right choice.

You can't not love animals, I can't not. It doesn't matter what the animal is.

One of the interesting things about motion capture technology is kind of how it's all put together. The idea is to make it as much a "normal" acting experience as possible and then being able to do all these amazing technical things with it afterwards.

It's always hard as an actor I think to be just on the set and have the kind of confidence to be like, 'Yeah, I did that. That went perfectly. That's great.' That's more confidence than I have.

When I say that the acting is sort of like a normal acting experience, I'm just talking about the interacting in actual scenes, like doing dialogue.

Mickey is a secret journal chained closed with a padlock, slammed inside a vault and dropped into the middle of the Pacific Ocean.