I feel something for you, some dangerous thing, some volatile thing.

For over a year I continued to submit mss, and have them rejected - the last few with rejection letters indicated the story was pretty good, but I was American.

Do you always get away with the outrageous?" "Mostly. Are you always s beautiful in the morning?" "Don't waste your charm." "It's all right, I have more.

Who's with her?" Roarke asked, though he already knew. It was just like her. "With her? Oh, ah, hmmm. Webster." Silence fell, a clatter of broken bricks. Peabody folded her hands in her pockets and prepared for the explosion to follow. "I see." When Roarke simply turned back to the screen and continued, she didn't know whether to be relieved or scared to death.

Hey. Hands off.” ", "“Please. Please, please, soooo pretty. Lemme just have one little touch.” "“Peabody, isn’t it embarrassing enough you’re wearing pink cowboy boots, again, without standing here drooling on my coat?”", [J.D. Robb, Celebrity In Death]

She gazed toward the marsh that grew thicker, deeper, greener with approaching summer. Mosquitoes whined in there, breeding in the dark water. Alligators slid through it, silent death. It was a place where snakes could slither and bogs could suck the shoe right off your foot. And it was a place, she thought, that went bright and beautiful with the twinkling of fireflies, where wildflowers thrived in the shade and the stingy light. Where an eagle could soar like a king. There was no beauty without risk. No life without it.

Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other.