Change was as much about loss as gain, about giving something up even as you reached for something new or different. The world was opening up, not closing in.

I don't fiddle or edit or change while I'm going through that first draft.

Ive gotten to know a number of readers from being online, and really treasure the time Ive spent with them.

People tell their children there are no monsters in the world. They tell them that because they believe it, or they want the child to feel safe. But there are monsters, Luke, all the more frightening because they look like people.

I'm not putting up with this," she continued. "You can't even go out and buy a solar system without worrying I'll fall apart. How are you supposed to get anything done?" "Actually, I'm not in the market for a solar system right at the moment.

I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.

I'll walk you back,"he said with such apparently boundless amiability that Diana wanted to deck him. "That isn't necessary," she began as her hand was clasped by his. "I suppose I could walk ten paces behind or ten paces in front." As she let out a frustrated breath, Caine grinned down at her. "You're not angry because we exchanged a friendly kiss? After all, we're family." "There was nothing friendly or familial about it," Diana muttered. "No," he lifted her hand to his lips, then lightly nipped at her knuckle. "Maybe we should try again.