If you are opening a play, a play that's really about something, a play that's really about ideas, you have to find a way to sell that play.

In the play we have the messy he-loves-her, she-loves-him, she-loves-him-too structure, and, to add even more confusion to the mix, the real love story is between the two ladies.

I don't know if Jesus said it in the Bible, but someone said that 'the love of money is the root of all evil,' and I do think there's a correlation between the ambition that a lot of people have, in terms of financial remuneration, and the loss of core values.

It's thrilling to be onstage and to not know, literally, what the next moment is going to bring. To just submit to the not-knowing-ness of it.

If you individualize an audience, it helps up the stakes of your responsibility to that audience.

I have 10 brothers and sisters.

I was in the original cast of Wicked, and that got a bad review in The New York Times, and it’s the most successful thing that’s ever been put onstage.