When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.

We also have a tendency to root for the fugitive. We're always on the side of the animal being chased.

In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.

I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.

When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.

I work with a lot of movie stars.

Do what you're told, and everything will be all right.