It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.

I really am a pessimist. I've always felt that fascism is a more natural governmental condition than democracy. Democracy is a grace. It's something essentially splendid because it's not at all routine or automatic. Fascism goes back to our infancy and childhood, where we were always told how to live. We were told, Yes, you may do this; no, you may not do that. So the secret of fascism is that it has this appeal to people whose later lives are not satisfactory.

Since great writers communicate a vision of existence, one can't borrow their methods. The method is married to the vision.

The Barry Goldwater movement excited the depths because the apocalypse was brought more near, and like millions of other whites, I had been leading a life which was a trifle too pointless and a trifle too full of guilt and my gullet was close to nausea with the empty promises of an empty liberal center.

Because there is very little honor left in American life, there is a certain built-in tendency to destroy masculinity in American men.

Writing books is the closest men ever come to childbearing.

One thing I've learned in all these years is not to make love when you really don't feel it; there's probably nothing worse you can do to yourself than that.