Animation is manipulating the difference.

Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.

Well rounded forms gives smooth sounds; sharper or angular forms give harder and harsher sounds.

So people will come along and do new things and sometimes return to the spirit of an earlier age.

In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.

I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.

The process of art evolving is always one which has fascinated me.