I sat at the foot of a huge tree, a statue of the night, and tried to make an inventory of all I had seen, heard, smelled, and felt: dizziness, horror, stupor, astonishment, joy, enthusiasm, nausea, inescapable attraction. What had attracted me? It was difficult to say: Human kind cannot bear much reality.

Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.

It is always difficult to give oneself up; few persons anywhere ever succeed in doing so, and even fewer transcend the possessive stage to know love for what it actually is: a perpetual discovery, and immersion in the waters of reality, an unending re-creation.

To read a poem is to hear it with our eyes; to hear it is to see it with our ears.

The North American system only wants to consider the positive aspects of reality. Men and women are subjected from childhood to an inexorable process of adaptation certain principles, contained in brief formulas are endlessly repeated by the Press, the radio, the churches, and the schools, and by those kindly, sinister beings, the North American mothers and wives. A person imprisoned by these schemes is like a plant in a flowerpot too small for it he cannot grow or mature.

Ruy-Sanchez's works of fiction are always amazing: adventure, poetry and intelligence in a new geometry of words... His writing has nerve and agility, his intelligence is sharp without being cruel, his mood is sympathetic without complicity.

Humankind is never what he is but the self he seeks.