I have no ideals. I have no will that the world should be any better or worse or anything... Because I know that for every genius there exists a robbing murderer. There is nothing to do about that. The world is such that if you want to find the intensity within the genuine, you will at the same time find the criminals around the nearest corner. And if you eliminate that genetic quality in the human being, then everyone will become very inactive and very boring, but on the other hand we get rid of criminality.

A topic is not interesting enough until it is multi layered. There is no vigor in a motive without many layers. One also learns quite a lot when one has been working on a difficult painting. That is my feeling. I believe that.

Desire is something very egoistic. If you desire something, you also have to take the consequences of that. You have to study the market and see how it can go. I mean to become an artist... You never get the Nobel-price for example. You can normally never become a millionaire. Very few become millionaires, so the circumstances are very bad if one becomes an artist. And that should be taken into consideration.

I had a choice. I could become an economist & managing director. I choose to do something else. I would have become much, much richer than I am. I choose to not do that. It's that simple.

The point is that only one thing matters in this world, to prepare oneself for death. One can try to be as comfortable as possible until one dies... Because being comfortable does not have any meaning either. It just does not. Everything is only a big meaninglessness that one must bear.

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.

To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality.