Translation is always a treason, and as a Ming author observes, can at its best be only the reverse side of a brocade- all the threads are there, but not the subtlety of colour or design.

Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.

In Japan, I took part in a tea ceremony. You go into a small room, tea is served, and that's it really, except that everything is done with so much ritual and ceremony that a banal daily event is transformed into a moment of communion with the universe.

The ancient sages never put their teachings in a systematic form. They spoke in paradoxes, for they were afraid of uttering half-truths. They began by talking like fools and ended by making their hearers wise.

For life is an expression, our unconscious actions the constant betrayal of our innermost thought. Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. The tiny incidents of daily rouitine are as much a commentary of racial ideas as the highest flight of philosophy or poetry.

Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order.

In our common parlance we speak of the man "with no tea" in him, when he is insusceptible to the serio-comic interests of the personal drama.