The Philosophy of Tea is not mere aestheticism ... for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe.

Tea with us became more than an idealisation of the form of drinking; it is a religion of the art of life. The beverage grew to be an excuse for the worship of purity and refinement, a sacred function at which the host and guest joined to produce for that occasion the utmost beatitude of the mundane.

Tea is a work of art and needs a master hand to bring out its noblest qualities. We have good and bad teas, as we have good and bad paintings - generally the latter.

Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.

In our common parlance we speak of the man "with no tea" in him, when he is insusceptible to the serio-comic interests of the personal drama.

For life is an expression, our unconscious actions the constant betrayal of our innermost thought. Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal. The tiny incidents of daily rouitine are as much a commentary of racial ideas as the highest flight of philosophy or poetry.

We take refuge in pride, because we are afraid to tell the truth to ourselves.