Light has an evident, functional and aesthetic impact on our lives.

I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates.

My goal is to formulate a new color theory based on the full spectrum of visible light.

Light has an evident, functional and aesthetic impact on our lives.

I do not think making art alone makes it any better than making it with a team of people.

I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.

I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.