Every city is always changing, on its own trajectory.

I see the artist as a participant, a co-producer of reality.

Artists are valuable to public discussion: They show the correlation between doing and thinking.

Photographs have a relevance for things that cannot be said.

I always try to make work that activates the viewer to be a co-producer of our shared reality.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

It would be wrong to say that the city of Berlin is not regulated. What I think is more interesting is to what extent a city creates a sort of safe haven for its users, so that people feel confident that the city works on their behalf.