With modelling, you go somewhere for 24 hours and you don't even see the city, you don't talk to people or see the culture.

In television, there's no time. You can't walk around and get into the mood. Nobody is going to wait for you. They're like, "Let's go!," and I'm like, "Wait, I haven't gotten in the mood!"

I don't see divorce as a failure. I see it as the end to a story. In a story, everything has an end and a beginning.

I love it when a man cooks; it's one of those points that makes me adore a guy. I think it's so romantic and I feel cared for when a man cooks.

When I was a kid, we never had a videogame in my house. But my cousin did, and each time I went to her house I was able to play 'Tetris' and 'Mario.' Those were the only two games I played as a child.

I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.

I believe in miracles. At the age of 13, I was on holiday in Moscow with my mother. It was the only trip I took in my whole childhood. We stepped off a metro train and were approached by a talent scout who told me that she wanted to sign me to her modeling agency.