Nixon identified himself as a crisis-laden man. He'd reach levels of victory and then he'd plunge into defeat. He was vice president, then he lost to Kennedy, then he lost the California governorship. Then came a great comeback and then he blew it again - and the next comeback, after he lost the presidency. He was a man who needed the feeling of walking the precipice.

As a dramatist, I don't have politics.

Pat Nixon was called the Mona Lisa of American politics. She never wrote anything. Her interviews tell us nothing.

I will come out with my interpretation. If I'm wrong, fine. It will become part of the debris of history, part of the give and take.

If we [Americans] are a strong people, a united people, why do we always have to hear how great we are? What is this self-love? Where does this come from? It got worse, because after the war we thought we'd won it. That's the first myth. Frankly, Russia won it. The Soviet Union sacrificed far greater form than anyone else to win that war. Secondly, we had the atomic bomb. We should not have dropped it on Japan. We did as an example to the Soviets, not to defeat Japan and to save American lives. These are myths that we explode with a lot of research early on.

I am a storyteller, and I do love ideas.

[Nixon] reduced the meaning of his life to nothing but power. In the film, we gave this sad figure consciousness of what he was. We weren't right to do that - I don't think he did have that consciousness. But we did it for movie reasons - to create empathy.