But I suppose film is distinctive because of its nature, of its being able to cut through time with editing.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

From '45, the moment Franklin Roosevelt dies, we're running ratlines with the Germans, helping Nazis escape.

There's an electrical thing about movies.

Nixon identified himself as a crisis-laden man. He'd reach levels of victory and then he'd plunge into defeat. He was vice president, then he lost to Kennedy, then he lost the California governorship. Then came a great comeback and then he blew it again - and the next comeback, after he lost the presidency. He was a man who needed the feeling of walking the precipice.

As a dramatist, I don't have politics.

Gore Vidal said "Nixon is us, we are Nixon." I think we have to acknowledge that combination of idealism and sleaze; we want to be better than we are, and we sometimes don't face up to the real questions.