I think you can maintain two tracks. I think you have to. That's what this kind of filmmaking is about. If you're not aware of the limitations of what you're up against... it's like a general: you have to know your artillery and you have to know your infantry. You have to know what you have. You have to marshal your forces and use them well. It comes down to the personal and the intimate, but at the same time you have to have the big picture.

I can't tell you how many times at the breakfast table my dad would curse out Franklin Roosevelt. I love my father. He was an intelligent man, but he really didn't like regulations of the Roosevelt style, or the taxes. He was an Dwight Eisenhower man. And that's what Eisenhower did, committed to breaking down the program.

You get much more heat when you do something current.

There is a Greco-Buddhist school of architecture and sculpture that you find everywhere in the world. It's fascinating, because Alexander died in 323 B.C. and Buddha existed around 500 B.C. But Alexander met Buddhist-type sages. And they had a different view of the world, as you know. They saw it in circular terms. They didn't need to conquer any land. And there are blond people who live in that region who are said to be descended from the soldiers who stayed. He left garrisons all over the world as he went.

I can see a movie and believe the story and characterization and stay proud of it. It doesn't change. Even if it's unappreciated, that doesn't mean it can't be appreciated in the future.

This myth that America has this atomic bomb that makes us right, it makes us good, it makes us set the agenda for the world. Everywhere, we can go global, we determine.

I want my children to have access to something that looks beyond what I call the tyranny of now. You read the paper, everyone talks about that thing [in the news] that day, and all the subconscious really important stuff that's going on is being neglected. The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.