When you look at the global situation, if America learned to be one of the many countries in the world and to find its way to cooperate with people and bring a global peace that could bring great prosperity to this globe, there is still a chance of that, and that's a big lesson from history. We are not paying attention to that.

I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent. And in the lab, too, the photochemical process was very difficult to watch, because sometimes they were shipping prints that you didn't even know were two points off or three points off. We suffered greatly to make these films, and they'd be out-of-focus, with the sound too low.

From '45, the moment Franklin Roosevelt dies, we're running ratlines with the Germans, helping Nazis escape.

I'm a dramatist. Dramatists have a right to look at history and interpret it the way they see it.

You always try to find the right style for the movie. That's the key.

I think there's a whole older generation that will go to movies still. People like me; people over 45.

There are a few versions of the Alexander movie on video, only two that matter. One is from 2007, and then the one from 2014. It's called "the Ultimate Cut." That is the best version in my opinion. I was unsatisfied with the original theatrical release. It was rushed. It was my fault. I accepted it. I always felt it should have been done the way Tarantino did Kill Bill. I thought, we should release this in two parts with an intermission. But at that time, in 2004, it was impossible.