I love films. I love fiction films, too. I do. I love making them, but it has to be the right one. Hopefully, I'll never become a director for hire. It's horrible to make a film that you're not really interested in.

You look at the Russian side: They're defending their territory from the beginning. They move west to destroy the Nazis. And they take out the guts of the German war machine per Winston Churchill, who said that they won the war. From the beginning, we were hostile to the guys who had saved how many American lives by their repulsion of the Nazis? I think the Americans lost 400,000 in the whole war. And the Americans knew it at the time. They gave Joseph Stalin credit. He was the man of the year, cover of Life magazine in 1943; he was a hero.

I think you can maintain two tracks. I think you have to. That's what this kind of filmmaking is about. If you're not aware of the limitations of what you're up against... it's like a general: you have to know your artillery and you have to know your infantry. You have to know what you have. You have to marshal your forces and use them well. It comes down to the personal and the intimate, but at the same time you have to have the big picture.

In any film there's always a historical implication.

Conspiracy nut, leftist, madman. These are terms of dismissal so you don't have to listen to the argument. It would be healthier and more fun to hear what someone has to say.

I think there is a whole older generation that will go to movies still. People like me; people over 45.

People are still living in the moment, and they feel the passion of now.