A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she'll appear in film and it won't work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don't know.

When I'm working with another writer, I tend to make a lot of effort. When I collaborate with a writer, I'm not interested in credit, but I'm feeding him stuff all the time that I feel is important to shaping the script.

There is a Greco-Buddhist school of architecture and sculpture that you find everywhere in the world. It's fascinating, because Alexander died in 323 B.C. and Buddha existed around 500 B.C. But Alexander met Buddhist-type sages. And they had a different view of the world, as you know. They saw it in circular terms. They didn't need to conquer any land. And there are blond people who live in that region who are said to be descended from the soldiers who stayed. He left garrisons all over the world as he went.

When I go to the movies, and I have to sit through ten previews of films that look [alike] and tell the whole story, you know that we've reached an age of consensus. And consensus is the worst thing for us. We all agree to agree. That's where we lose it as a culture. We have to move away from that.

I have the right to interpretation as a dramatist. I research. It's my responsibility to find the research. It's my responsibility to digest it and do the best that I can with it. But at a certain point that responsibility will become an interpretation.

We're all divided, but some of us have children, and we are invested in the future and would like to see good things happen.

Robert Kagan said the neocons couldn't get a better president than Hillary Clinton, who would enforce the neocon foreign policy. No one's questioned it.