I have to say that I approach every project with the same energy. I also think that, since I started producing, I see the process from a different perspective, which affects the way I jump on board immediately.

I'm now convinced that I'm a doctor. I mean, if someone says they have a pain, I'm like, 'Well, that's your spleen.'

Writers get to know me very well. It always serves me in the end because I feel I have a deeper understanding of the character and sometimes they really like my ideas and they use them.

Ladies and gentlemen, Otis Alexander Sudeikis has LEFT the building! (I'm the building)

It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'

We have sex like Kenyan marathon runners.

You're 30: You know stuff now. Your 20s were for 'ducking up,' as my auto-correct would say, and learning from those mistakes. (For instance, never again will I convince myself that sleep is for sissies and go straight from a party to the airport. You will not 'sleep on the plane'; you'll vomit in the security line. Go to bed.)