It felt like something was calling me to Israel, and that I had to go there to discover it. I don't know how else to explain it. In my head, I was thinking it was something about music, something I needed to hear. So I booked a plane ticket and left the next day.

I usually don't share the music with the musicians until right before they have to record their parts, because I hate discussing it and just intellectualizing it on any level. I just want to speak from the subconscious, which knows way more about me than my intellectual side will ever know. Once I start doing the arrangements - what I call the architecture of the song - that has a lot of thought put into it.

You're constantly guided by the last thing you made.

Like anyone else, I go up and down. You wake up some days, and you're like, "Life is great." You wake up other days, and you're like, "This is so shitty. I just want to stay in bed." Right now, I feel confident that as long as I can keep the sound moving forward, this is something I'll be doing for at least another five years.

I'm still trying to figure out how I feel about anything at any given moment. When you feel like you've arrived somewhere, that's the real problem.

It felt like something was calling me to Israel, and that I had to go there to discover it. I don't know how else to explain it. In my head, I was thinking it was something about music, something I needed to hear. So I booked a plane ticket and left the next day.

It's like going back to an old girlfriend you're happy you got away from. You wouldn't replace the experience at all. I'm like, "I'm glad I met you. I learned so much from you. I learned how not to be. I learned how to be. But I'll be damned if I have to go through it again."