I think that's an incredibly overwhelming reality that is really at the basis of how we're going to deal with this. Looking at the film, people will say, "Oh yeah, you're criticizing the police." I say, "No."
Oren MovermanAnother option, which I think is the thing that makes more sense, is this fact that the police are a reflection of the occupation of certain neighborhoods and certain parts of cities that are designed, basically, to keep the bottom down and basically maintain the status quo, but out of sight, so that the other side - the people in power, the people with money, the people with comfort, the people that are living in the "safer" areas - are sure that they can sleep safely in their bed while bad thing are happening to people and it's not their problem.
Oren MovermanBut the reality is that the police serve a certain function, to maintain a certain status quo, and that's one of the things that the movie is about, because it basically gives you three options for looking at the police, as symbolized by Dave Brown.
Oren MovermanI think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.
Oren MovermanAnd with the Occupy Movement, it's really ironic how the police come as representatives and enforcers of the powers that be, even though the people in the Occupy Movement are really on their side - not in terms of their behavior, but in terms of their economic status, in terms of who the police are in society and how much they're paid, and if you boil it down to the economics of it, the police should be out there marching with the Occupy Movement.
Oren MovermanThat's really the big inspiration of this movie. It's really looking at a man who's really showing all the traits and all the characteristics of the classic patriarchal country, where he's of military power, he's the king of the hill at home, as well as in the streets. He has the liberty to live where he wants.
Oren Moverman