All the scenes that have to do with the fact that, at the end of the day, we're all engaged - hopefully some of us - in certain causes and ideals and certain ways of living, but we're human, and we're making all these mistakes, and we're caught in particular systems - whatever it is - but ultimately, there's a price paid by the people that are closest to you.

I'm looking into a different actor's eyes every couple days, and I'm learning so much just to see the different processes people go through, and how their acting works for them.

I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.

I think that almost every scene was an exploration - it was never going to be just what’s on the page. So I know I was very lucky - we all were - to work with a cast of this caliber. These are extremely experienced and intelligent actors, who are also deeply emotional and - as you say - are also engaged in the world.

The first view is "bad apple." Bad apple is excusable. It's sort of like, something went bad with this man. But the second option is police corruption, so it's a problem with the department.

And with the Occupy Movement, it's really ironic how the police come as representatives and enforcers of the powers that be, even though the people in the Occupy Movement are really on their side - not in terms of their behavior, but in terms of their economic status, in terms of who the police are in society and how much they're paid, and if you boil it down to the economics of it, the police should be out there marching with the Occupy Movement.

But the reality is that the police serve a certain function, to maintain a certain status quo, and that's one of the things that the movie is about, because it basically gives you three options for looking at the police, as symbolized by Dave Brown.